Collection Friday!
How’s everyone doing with their “healthy eating” New Year’s Resolution? Here’s some inspiration from Ottawa photographer Justin Wonnacott to eat fresh fish! (And some recipes to get you going.)
Justin Wonnacott, There are more carp raised for food thanany other fish, and no two look alike, from the series I Remember and I Forget, 2010. Inkjet on paper.
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Camera
Canon EOS 30D
ISO
800
Aperture
f/10
Exposure
1/200th
Focal Length
59mm

Collection Friday!

How’s everyone doing with their “healthy eating” New Year’s Resolution? Here’s some inspiration from Ottawa photographer Justin Wonnacott to eat fresh fish! (And some recipes to get you going.)

Justin Wonnacott, There are more carp raised for food thanany other fish, and no two look alike, from the series I Remember and I Forget, 2010. Inkjet on paper.

6collection friday, fish, photography, ottarts, ottawa, Carleton University, New Years Resolutions,

In memory of Kenojuak Ashevak’s passing today, here is her stonecut print ‘My Birds’ (1975) from our collection.

Our thoughts are with her family and friends.

Installation shots from Jamelie Hassan: At the Far Edge of Words.
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Installation shots from Jamelie Hassan: At the Far Edge of Words.
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Installation shots from Jamelie Hassan: At the Far Edge of Words.
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Installation shots from Jamelie Hassan: At the Far Edge of Words.
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Installation shots from Jamelie Hassan: At the Far Edge of Words.
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Installation shots from Jamelie Hassan: At the Far Edge of Words.
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Installation shots from Live Through This: Photographs by Tony Fouhse.
Join us for the opening on Monday, January 14th at 5pm!
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Installation shots from Live Through This: Photographs by Tony Fouhse.
Join us for the opening on Monday, January 14th at 5pm!
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Installation shots from Live Through This: Photographs by Tony Fouhse.
Join us for the opening on Monday, January 14th at 5pm!
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Installation shots from Live Through This: Photographs by Tony Fouhse.

Join us for the opening on Monday, January 14th at 5pm!

We’ve also got Tony Fouhse’s moving photo-series Live Through This. Here isSteph withdrawing from heroin in my studio, Ottawa, April 2011.
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Camera
Canon PowerShot S95
ISO
400
Aperture
f/2
Exposure
1/60th
Focal Length
6mm

We’ve also got Tony Fouhse’s moving photo-series Live Through This. Here isSteph withdrawing from heroin in my studio, Ottawa, April 2011.

Gearing up for our Winter ‘13 Exhibitions! We’ve got two incredible shows opening on the 14th.

From Jamelie Hassan’s retrospective, Jamelie Hassan: At the Far Edge of Words, here is ي (Manuscript Page) (2005). For this work, Hassan rendered the last letter of the Arabic alphabet ي (pronounced “yaa”) in red neon light and mounted it on the page of the Persian/Arabic grammar manuscript illustrated with the Archangel Gabriel.

The red colour of the letter يrefers to the red ink used in Arabic to highlight the beginning of a new thought.

(With text from Dot Tuer’s At the Far Edge of Home essay in the Jamelie Hassan: At the Far Edge of Words catalogue)

Collection Friday!
John Hartman, Snow Squall over Griquet, 1997.
Two colour drypoint on wove paper.
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Camera
Canon EOS 5D Mark II
ISO
200
Aperture
f/9
Exposure
1/2th
Focal Length
100mm

Collection Friday!

John Hartman, Snow Squall over Griquet, 1997.

Two colour drypoint on wove paper.

Collection Friday! (Holiday Edition)

Fran Jones,Christmas Card, 1955.

Linocut on paper.

Last month, Ottawa artist and graphic designer Robert Tombs and his first year Interior Design class paid a visit to the Photomontage Between the Wars (1918-1939) show here at CUAG.
The Algonquin College students were asked to design an entrance tower in “the spirit of Russian Constructivism” for CUAG’s exhibition space. The tower had to fit into a 5 x 10 x 20-foot volume, have a scheme of five colours, include six poster reproductions, and have a 4.5 x 8-foot video screen showing a curated program of five films.
Here is some of their finished work! Thanks Robert, and all the students!
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Last month, Ottawa artist and graphic designer Robert Tombs and his first year Interior Design class paid a visit to the Photomontage Between the Wars (1918-1939) show here at CUAG.
The Algonquin College students were asked to design an entrance tower in “the spirit of Russian Constructivism” for CUAG’s exhibition space. The tower had to fit into a 5 x 10 x 20-foot volume, have a scheme of five colours, include six poster reproductions, and have a 4.5 x 8-foot video screen showing a curated program of five films.
Here is some of their finished work! Thanks Robert, and all the students!
ZoomInfo
Last month, Ottawa artist and graphic designer Robert Tombs and his first year Interior Design class paid a visit to the Photomontage Between the Wars (1918-1939) show here at CUAG.
The Algonquin College students were asked to design an entrance tower in “the spirit of Russian Constructivism” for CUAG’s exhibition space. The tower had to fit into a 5 x 10 x 20-foot volume, have a scheme of five colours, include six poster reproductions, and have a 4.5 x 8-foot video screen showing a curated program of five films.
Here is some of their finished work! Thanks Robert, and all the students!
ZoomInfo

Last month, Ottawa artist and graphic designer Robert Tombs and his first year Interior Design class paid a visit to the Photomontage Between the Wars (1918-1939) show here at CUAG.

The Algonquin College students were asked to design an entrance tower in “the spirit of Russian Constructivism” for CUAG’s exhibition space. The tower had to fit into a 5 x 10 x 20-foot volume, have a scheme of five colours, include six poster reproductions, and have a 4.5 x 8-foot video screen showing a curated program of five films.

Here is some of their finished work! Thanks Robert, and all the students!

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